Write Anywhere #80: Plantation House

by Kristin Nador/@KristinNador

I feel a bit claustrophobic. This is my first winter in Kentucky. I like it here but the forced confinement after snow and freezing temps that rival Siberia has got me antsy in my apartment. When wind chills go into the negative digits, it’s time for hot tea and a good movie. I’m not a winter person, so I hope the cold will move on soon.

Before the weather turned arctic, I spent an afternoon at a local landmark with immense spaces and loads of history attached. It inspired me to dig deeper in the writing research I’m doing for my historical fiction.

Write Anywhere #80: Plantation House

Ward Hall Plantation House, Georgetown, Kentucky 2014, photo by kristin nador

Ward Hall Plantation House, Georgetown, Kentucky

Ward Hall is named for Junius Ward, (1802-1883) a wealthy Mississippi planter who built his summer home two miles west of Georgetown, Kentucky. This Greek revival style antebellum mansion was completed in 1856. It’s one of only a few structures with the original interior design intact.

Portico roof and Corinthian columns, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

Looking up from the front portico

The mansion cost $50,000 in gold to build, which in today’s prices is about 1.2 million dollars. The home stands four stories tall and with over 12,000+ square feet was particularly spacious, considering the family lived there four months out of the year.

The mansion, now overseen by the Ward Hall Preservation Foundation, is open only one weekend per month, so I grabbed my chance to look inside. Even with obvious deterioration it’s amazing how this house survived over 150 years, virtually unchanged but for basic electricity.

After gawking at the massive 25-foot Corinthian columns lining the portico, I found the back door entrance and felt as if I’d become a time traveller. A huge foyer, running the length of the house, welcomed me with ornate mirrors and chandeliers. The plaster medallions surrounding the chandeliers still hold their original decorative colors.

Hall Mirror, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

This is one of several ornate mirrors


History is embedded in the pores of this home. Junius Ward became one of the wealthiest men in the south, and made his money from cotton, hemp, and his powerful connections. He owned slaves who farmed his crops, maintained his houses and the family’s personal needs. Ward acquired prime Mississippi bottomland in 1827 as one of the first white men to obtain lands while the Choctaw Indians were being systematically removed from their southern homelands.

Junius Ward played a part at the beginnings of thoroughbred racing in Kentucky. He had part ownership in Lexington, a winning racehorse, and a sire to many more prize-winning horses, including Preakness, namesake of one of the Triple Crown races. The Belmont Stakes, another Triple Crown race, is run in honor of Lexington.


Junius’s father, General William Ward, appointed as the U.S. government’s Indian agent during the land treaties with the Choctaw Indians, seems to have supported President Andrew Jackson’s Indian removal efforts, and is sited in numerous historical records to have refused the majority of Choctaws the ability to register for their own lands. He indulged in what was later said in Congressional investigations to be ‘obvious and overwhelming frauds’.

Junius’s uncle, Richard Mentor Johnson, (1780-1850) became vice-president of the United States during the Van Buren administration. He was a war hero who supposedly killed Indian chief Tecumseh, yet ran a school for Choctaw Indian boys, for which he received payment from the Choctaw Nation. He lived in common-law marriage with three different slave women, the most notable being Julia Chinn. And then there was Sallie.

Portrait of Sallie Ward, by George Peter Alexander Healy 1860, Oil on Canvas reproduction, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

Portrait of Sallie Ward greets visitors in the foyer

Sallie Ward was the niece of Junius and his wife Matilda Viley Ward. Sallie was known for her dazzling beauty, her ostentatious dresses, and was not your “typical” young Southern woman. Once she rode a horse up the stairs of a Louisville hotel. She was married four times, withstood a contentious and well-publicized divorce, and wore ‘“paints and cosmetics”. Her second husband’s family disapproved, but he wrote to them that he would “rather go to hell with Sallie Ward than to go to heaven without her”. (source: A History of Kentucky by Thomas D. Clark)

Although she flaunted social conventions of the day, she was still considered one of the loveliest and most admired southern belles. Sallie and her aunt hosted summer parties for the high society Kentucky families at Ward Hall.

What a cast of characters! Reminds me of the television series “Dallas“.

I walked through the first floor rooms, connected by beautiful floor-to-ceiling pocket doors, admiring the furnishings. The windows had an otherworldly quality from their patina and glass distortion common to older glass.

Parlor Rooms, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

View through pocket doors front to back

Pamphlets and documents are available in the foyer that help tell the story of Ward Hall, but the volunteer docents share an abundance of knowledge about the architectural, historical, and cultural details, too. Built-in closets on the second floor were uncommon except in the wealthiest homes. Although the doors were tall, the closets themselves were not very deep.

The cupola, a raised dome lined with windows at the top of the house, was opened during the warm summer months and cooled the house when air conditioning was non-existent. The cupola is kept closed now, and the stuffy rooms prompted me to ask the tour guide about how the family survived the hot summers. He said the family really didn’t do anything that resembled work, so they probably didn’t get that sweaty. They were waited on constantly, and that included being fanned by slaves used for only that purpose. Mind-boggling.

Plaster Medallion, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

Original coloring of plaster medallions


One of the reasons the home may be mostly intact is that after the Civil War Junius Ward went bankrupt and until the present day, the home only had four owners.

I climbed the elegant elliptical staircase to the top floor and down again, out of breath and knees aching. Who can conceive the exhaustion slaves felt running up and down the winding staircase, attending to their master’s every need?

Except the slaves didn’t use that staircase. A hidden narrow stairway, now too damaged to ascend, let them tend to their duties discreetly. Ward Hall doesn’t sidestep this part of the building’s history, as the pamphlets and basement slave kitchen rooms attest.

Basement room, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

Most of the rooms were too dark to get good photos. Notice the low ceiling. I had to duck at the doors.

Some might argue that slaves of a very wealthy family had a more comfortable life than most, but that’s a moot point. I know some people might prefer to use the term servant, but servants worked in places like Downton Abbey, where although they came from the lower class, had a choice to work for Lord Grantham or not. Slaves had no choice of employer, trade, home, sexual partner, or whether they got to raise their children. Slaves helped build wealthy southern dynasties without any payment, without any choice, without acknowledgement that they were anything more than property. It’s very hard to get my mind around the fact this repugnant mindset was morally and legally acceptable, but it’s a part of America’s history that people need to preserve and talk about if we are to understand, accept, and help heal today’s issues on race in America.

Touring the mansion gave me a sense of both majesty and melancholy. At one point I was left by myself at the far end of the second floor, near a bedroom filled with cribs and toy dolls. My skin felt electric for a moment. It happened again in the silence of the basement. The eerie energy urged me back into the main areas where other tourists gathered.

Elliptical Staircase, Ward Hall Plantation House, Georgetown, Kentucky 2015 photo by kristin nador

Elliptical staircase made me dizzy!

It’s hard to imagine the house in its heyday, warm summer nights filled with power and opulence, shrewd business dealings and society parties, against a backdrop of native displacement and human enslavement.

I stepped out into the late autumn air and strolled around the grounds, a shadow of its former self. Ironically the plantation, now surrounded by modern suburban neighborhoods, fights to keeps its place on the landscape. Gargantuan trees, allowed to grow unmolested for at least 150 years, swayed in the breeze.

Remains of slave quarters, Ward Hall Plantation House, Georgetown, Kentucky 2014 photo by kristin nador

Slave quarters in ruins

I wondered about the stories. Stories of power and scandal, love and heartbreak, mystery and misery. That’s what attracts me to history: the characters. History gives basic facts, but it’s also the stories of people behind the facts. Some stories we know, others only allow speculation.

I scribbled some notes sitting on a bench behind the mansion that day, but the more important thing I did was commit to go deeper with the research on my own historical fiction about German immigrants during the late 19th century.

Characters may be fictional, but getting the facts behind your characters lives makes your story vibrant and ring true.

You don’t have to write historical fiction to get inspiration from visiting local landmarks. You can gain a broader perspective on life, learn how history is interpreted based on who is telling the story, understand the importance of an accurate historical record, be stirred to activism, or find a fascinating person to inspire a character in whatever genre you may be writing.


What historical building, place, or landmark in your area will you explore?


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11 thoughts on “Write Anywhere #80: Plantation House

  1. This is a wonderful, informative post that I enjoyed. I like Sallie Ward’s fun, daring adventurous spirit, She wasn’t afraid to try new things. A modern woman who was ahead of her generation, by all indictions. The house and its history are impressive too Thanks for sharing.


    • Thanks for stopping by, Michelle! Yes, I think Sallie was a very interesting lady. Some say she was the real life inspiration for Margaret Mitchell when writing the character of Scarlett O’Hara, but there are a lot of other candidates as well. They should make a movie about Sallie and all her exploits. 🙂


  2. I enjoyed your post. We have an old mansion in our area that a man built for his wife, who sadly died before the construction was completed. No one ever lived in the house. It is now a museum and they bring in wonderful art to fill some of the huge ball rooms. They also have beautiful gardens. My son and I have spent time wandering around. Next time I think we will take a sketch book and some writing paper along. Thanks for the idea.


  3. I am lucky to get the chance to travel to different countries frequently but when I am home, I grab my camera and take the train downtown and explore by foot. This is when I get to see all of the details of the buildings and show appreciation for the foundation of our big city.


    • I love the architecture of cities. So much history, beautiful textures and angles. You ARE lucky to be able to explore around the world. I’d love to travel and explore Germany and Switzerland, where some of my ancestors lived.


  4. I think I’ll take my kids to Yaddo, this spring. It’s the mansion of Spenser and Katrina Trask. I’ve never toured inside – it’s an artists’ and writers’ retreat, now, and only open a few days a year, but there are lovely sculptures and a rose garden that merges into a wilder greenspace, and sweeping views across the lawn to the mansion. Many of my Tribed characters in my Trueborn series-in-progress were conceived here, as was the setting for Kaitiiraan’s Keep.

    This is a lovely place with many textures to its life and history. I’m glad that you didn’t shy away from the shadowy and destructive layers.


    • Thanks for stopping by, shanjeniah! Yaddo sounds like a lovely place to stir up your creativity. I’d especially love a rose garden. How cool that you can point to a specific place as the inspiration for your novels. Sounds like a great place for a book signing. 😉


  5. Pingback: “I spent an afternoon at a local landmark with immense spaces and loads of history attached…” | On The Verge

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